Kireedom – Usurped by “Nadir” show!
This time Ajit has joined hands with director Vijay but once again Ajith has missed the right train. This movie becomes an ordeal for Ajit’s fans, but instead this movie is a treat for Ilaya Thalapathi Vijay’s fans!. The director could be appreciated further,if he has altered the climax of this commercial movie, which traces it’s origin to the original Mallu Kireedom,which is pretty artistic. Godfather was the only white sheep among these black sheep{Tirupathi,Aazhwar and Kireedom},in the recent past. The antique actor Balaji in his Sujata cine arts banner is back as a producer only to make an attempt which has lost its livewire somewhere in the middle. The captain has tried to produce the “Mugavari effect” in this movie, but the intervention of too many commercial elements make his effort a “castle in spain”.Straight to face, this movie could be compared to a stretch of Indian roads, where there are also roads amidst pitfalls. “Mr.Ajith, please be fair in your judgements and to your fans” Movies of this kind takes Ajit far away from his racing track, and he has got very little time to come back, since the number of opponents increase everyday.
The plot structure of Kireedom would have looked nice if its elements are etched out properly. The story begins portraying the dreams of Rajarajan{Rajkiran}, a head constable at Trichy town Police station. He wants his son Sakthivel{Ajit} to become an SI of Police, before his retirement.In the beginning Sakthivel is carved out as a fun loving youth, who falls in love with Divya{Trisha} which culminates in their betrothel. Sakthivel cycles hard to fulfill his father’s dream and appears in the tests and interviews to the official’s satisfaction , but very shortly due to a problem,his father is forced to make a move to Kodikkarai along with his family. In that Devil’s own country Sakthivel hospitalises the local Don Varadhan{Ajay} which makes the people feel that Sakthivel is Varadhan’s successor. Meanwhile along with a sidekick party, Chellakannu{Vivek}, the brother inlaw of Sakthivel, ceases money from the locals in the name of Don-sakthivel without his knowledge. Further, Varadhan’s friends try to be loyal to him by attacking Sakthivel, whose questions are well replied by him.Because of these unknown acts of kindness , friction starts between the Police father and so called Don but innocent son, followed by the breaking of Sakthivel’s betrothel managerie. In the mean time, Sakthivel’s name appears in the SI exam results notice board. So his friends and well-wishers request him to stay in Trichy till he gets posted as an SI, which is immediately obeyed by Sakthivel who goes to the fort town and stays in his friend Balasubramani’s{Santhanam} house. But when Varadhan comes back and threatens Sakthivel’s family, the former steps back to Kodikkarai and kills the latter and his own carrier ending the movie strangely tragic.
The movie starts well and marches well with the simple but powerful portrayal of Sakthivel’s family and Sakthi’s encounters with his love interest{Modalla paiyan appram ponnu, unakku ok thana?!},but lumbers like a snail after the intermission and breaks down in the end.Ajit has done his part extremely well but his strains are drained by the poorly hobbling screenplay, particularly in the second half.Apart from handsome Ajit and dainty Trisha, the comedy ship is well sailed by Vivek,Santhanam and Satyan. Trisha steps in with her right leg into the comedy villa for the first time and walks well. She is lovely and does her role well.Rajkiran and Sharanya should stop the ham acting and look for innovative characters.But Rajkiran has melted into his “father”character and melts our hearts{may be for the 50th time?!} The sentimental scenes between the father and son are good but good for nothing{since they don’t contribute}.The song sequences are visualised awesomely. Especially the akkam pakkam song provides a cool glass of buttermilk amidst the summer.Thiru’s{cinematographer} work is really too good enough to floor the audience. Vivek’s comedy is remarkable though it plays a minuscule part. Santhanam will sound better if he avoids those indecent, duplicity comical sayings. The first scene in which Ajith steals a Pillayar statue from Trisha’s habitat is cool,where we could almost see “Aasai” Ajith in his orange polo Tee. Ajith is back to his normal facial state after a period of inconsistencies due to steroids. By the way the costumes which Ajith wear in the second half of the movie is the same which he worn in the worn out Aazhwar.{A dirty dark coloured cotton shirt, a cinder like jeans and a pair of dusty slip ons}What’s wrong? Ajit’s voice becomes a Raven’s when he bludgeons at the crowd “nan rowdy illllha”.Would be good to see Ajit re-employing his voice modulation which went for a holiday some years ago.
There is no offence in G.V.Prakash Kumar‘s salary raise, since the songs , background score and sound effects are out of the ordinary. “Vizhiyil” song gives the feel of listening to a melody of a huge orchestra while “Kanavellam” exactly unfurls the feeling of father-son relationship. Also “Vilayadu” is a typical intro song which does not jarr our ear drums. The background scores are terribly well made. Particularly the musical piece which runs in the beginning of the movie and through the love sequences are verdict musical sixers. G.V.P is the apt person to wear this Kireedom. So a lot of stones miss in this borrowed Kireedom, which says Anger leads on to anger and anger.
– Spontic