Posts Tagged ‘Music’

Vaaranam Aayiram – Musical Rainbow!

Gautham Menon and his melodius accomplice Harris Jeyaraj come together once again for Vaaranam Ayiram. After getting hold of the rights, to popularise the songs Sony BMG has given a few songs to the FM stations five days prior to the actual audio release. Harris Jeyaraj has composed seven different numbers for this film. Let us look at them more closely.

Male Harmony: Krish, Benny Dayal,  Hariharan, Karthik, Naresh Iyer, SPB Charan, Devan, V.Prasanna, Clinton, Solar Sai

Female Harmony: Shruti Hassan, Prashanthini, Sudha Ragunathan

1. Adiye Kolluthey****
Singers: Krish, Benny Dayal, Shruti Hassan

A small sticker on the cd cover says “Including the smash hit Adiye Kolluthe”. Basically a rock number built on Thamarai’s enthusing lyrics. Shruti Hassan’s stylistic voice aptly fit into this western song. Benny and Krish sing wondrously to give the music instruments an arduous time. As usual, full of strange haunting chants and guitar interludes. Though the rhythm gives us a ‘heard it somewhere’ feeling, the increasing tempo compensates it. Probably this song is Gautham Menon’s personal favourite. Fit to be a hi… oops! its already a smash hit. On the whole, this number is a “thrilling sweetheart!”

2. Nenjukkul Peidhidum****
Singers: Hariharan, Devan, V.Prasanna

This song hails Hariharan as the divine lord of melodies! Thamarai’s lyrics for this song will be among the best ever made in this decade. Multitudes of chorus are used in this song by harris. With a limited number of instruments, this number creates the maximum effect. A cool song to depict the burning passions of the lover. The guitar pieces which run through the song hits it  for a home run. Another awesome melody in Harris Jeyaraj collection. “Romance Romance and Romance for all days of the year”.

3.Yethi Yethi***
Singers: Benny Dayal, Naresh Iyer, Solar Sai

A song from the Hip-Hop tradition. The ‘Sokkuthe Manam’ TV show star Solar Sai sings along with Benny and Naresh in this number. This song reminds us a lot of other numbers such as ‘Ada gada’ from sathyam, ‘Taxi taxi’ from ‘sakkarakkatti’ and at times ‘Adhiradikkaran’ from ‘Sivaji’. With a whistling opening, Muthukumar’s’s lyrics bringout the pure life of the dirty college students. The acoustic guitar interludes of this song gives us ‘the Ilayaraja effect’. Pretty ordinary song when compared to the earlier two. But still, rejoice with this when a few good friends are around.

Singers: Naresh Iyer, Prashanthini

A pleasant soft rock number packed in with a variety of interludes{Sax, mouth organ, drums}. Though justly used, the drum beats grab our attention. Once again Thamarai’s lyrics claims commendation. At times Naresh Iyer’s voice ‘unsexes’ itself to blend with Prashanthini’s voice which contributes to the soft ‘feminine touch’ of this song. With a variety of instruments Harris Jeyaraj has orchestrated this melody to perfection. ‘Rock’ seems to be the core genre of this album.

5.Oh! Shanthi! Shanthi***
Clinton, SPB Charan
Clinton is back with a bang in this little, soft rock number. Sounds like a softer version of  ‘Mudhal naal indru’. Clinton’s the ‘Oh Shanthi’ refrain boosts up the energy level of this song. However the ordinary rhythm of this song makes us to associate a lot of earlier songs of Harris Jeyaraj. Might turn out to be an awesome background theme and ‘sing along’, if used suitably. “laali laali laali!”

6.Ava Enna***
Singers: Karthik, V.Prasanna

A soft kuthu song decorated with flowers of melancholy. Reminds us ‘Siva siva siva sankara’ from ‘Suyamvaram’ and ‘Appa amma’ from ‘Dreams’. Heretoo Harris finds a little room for his guitar.  Thamarai’s ordinary words are shouldered well by Karthik’s versatile voice and stupendous pronunciation. Though no scope for novelty, Harris has peppered this song with gentle choruses and bass beats.

7.Anul Mele****
Singers: Sudha ragunathan

A song from the Indian Classical music world. Sudha Ragunathan’s genius breaths eternal life into  this song and makes it good. Certain areas of this song resemble ‘Enadhuyire’ from ‘Bheema’. This sounds like an ‘Ilayaraja melody’ too. Will become the favourite of classical music listeners. Finally in this song Harris has accomodated his favourite: Vilolin along with Veena. Seems to convey a particular situation of the plot. Since 90% of the songs are in purely pronounced and unadulterated Tamil, ‘Vaaranam Aayiram’ receives special applause!.



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Sathyam- An eclectic musical treat!

Album name: Sathyam

Release date: 20.07.08

Music Director: Harris Jeyaraj

Number of Tracks: 5
Male harmony:
Hariharan, Premji, Naveen, Benny Dayal,
Female harmony:
Bombay Jeyashree, Sadhana Sargam, Mahathi, Sunitha Sarathy

After Dhaam Dhoom, Harris is back with his five classy decent songs for Sathyam. Being accused for repeated usage of beats in Bheema, harris has tried to evolve himself out of his old styles and come up with music anew.

1. Ivan udaiyum (Aaradi Kaathe)***
Singer: HariHaran
A hero worship song as well as an introduction number for another police officer. This song comes in the tradition of ‘Karka Karka’ from ‘vettaiyadu Vilaiyadu’ and ‘Oru mugamo’ from ‘Bheema’. At the beginning of this number we don’t hear many instruments save the rhythm beat. But when once the song crosses its crisis, many instruments join hands. particularly the traditional Kerala instruments and drum rolls in the second half add more spice. Hariharan establishes the supremacy of the hero very casually with his
melodic voice, Amazing! But the tune appears cliched and makes us feel, ‘after all another hero worship song’. The lyricist has tried his level best to do what the director has asked him to. Totally, this song gives us a ‘Trance effect’. May produce great results while being watched in the theatres. A wonderful song for rough and tough visualisation.

2. Ada gada****
Singer: Premji Amaran
A peppy rap song with a comic touch. The song opens with a mind blowing ‘shababarababambam’ which becomes a refrain of this song. This song is full of special effects(The echoing effects, distorted old sounds) and haunted by western instruments. May become the favourite number of youth and kids. Premji’s voice is so much in line with the music that it sounds like another instrument! Howsoever at the simplest level, the song has a very good melody, which reminds us Ilayaraja’s 80s. At times this song gives us the feel of Pudhu pudhu from Dhaam Dhoom and adhiradikkaran from Sivaji. The lyrics which are fabulously written in ‘Tanglish’ are funny and interesting!(Nee pazhaiya kaalathu lu(oo)na!). At the end of the story, a jolly good song, which we may listen to in repeat mode!

3. Chellame****
Singers: Bombay Jeyashree, Balram, Sunitha Sarathi
A Harris hallmark, in the traits of vaseegara from minnale, Unakkul Naane from PKMC and Saghiye from Dhaam Dhoom. Erotic as usual. Bombay jeyashree’s voice is a sweet poison which puts us in a heavenly trance. Once again the tune is a bit old and may not be cherished by a particular sect of
music connoisseurs( It reminds us ‘Idhu kaadhal kaadhal’ song). Among the instruments Violin and drums dominate. We could hear Harris’s musical talents unrolling with his perfect choice of instruments(Drums, violin, piano, flute and what not in this song?!) The strange chant which comes in the middle and ends with ‘vetkam vetkam’ ‘Nitham Nitham’ is excellent. This is a perfect song with romantic lyrics suitable for listening on a rainy day’s night after turning our lights off!

4. En anbe****
Singers: Sadhana Sargam, Benny Dayal
A heroine solo song. Takes a soft middle stand between Indian classical music and western music. A soft number with a ‘Iyengaaru veettu’ touch(but the tune is completely different). Similar to Chellame the Instrumental accompaniment is out of the ordinary. Sadhana Sargam sings our brains out! The chorus does a great job too. The sarod-tabla interlude of this song is notable. The lines and the music go hand in hand with each other. The unrecognised voices heard in the later half of the song takes us to a mystic wonderland. The tune of this pianissimotic number reminds us a few old songs. But not a bad song at all. Romance and romance all over again!

5. Paal Pappali***
Singers: Naveen Madhav, Mahathi
A kuthu song for the commercial fans. This song introduces itself with the indomitable ‘saavu melam’, but definitely not of the dirty ‘Srikanth Deva’ genre. The essence of this song is similar to jaari singaari from Thotti Jeya. There are a lot of speaking silences (or pauses) in this song which make it
different. This is a folkish ghaana song like ‘suppamma’ from ‘Rojakootam’. Heretoo we find violin pieces strewn here and there which increase the quality of this ordinary song. Both the singers add life to the native lyrics which takes us to a village-fest. “Style, class and elegance” seem to be the livewire of this album.


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Sakkarakatti- Electrifying youth vibrancy!

Album name : Sakkarakatti
Release date : 11.7.08
Music Director : ARRahman
Number of Tracks : 6

Male harmony

Benny Dayal, Blaaze, ,Javed Ali, A R Rahman, Henry, Krish and Naresh Iyer

Female harmony

Chinmayi, Madhushree, Viviane Chaix and Indai Haza

The long awaited soundtrack of the movie Sakkarakatti has hit the stores yesterday. Rahman has scored half a dozen bright and colorful songs for this ‘Shanthanu’ starrer.

1. Taxi Taxi*****
Singers: Benny Dayal, Blaaze, Viviane Chaix and Javed Ali
Lyrics: Blaaze, Na Muthukumar, Viviane Chaix
Basically a friendship song like Mustafa, full of Blaaze’s Rap interludes, Vivian’s ooh laas and french chants. The rhythm of this song is pretty ordinary but the vocals and other additions take it to the next level. This song gives us the feel of a ‘Bollywood’ number. Lyrics bringout this ‘ipod’ age’s friends and their relationships with a bit of slapstick humour. Pals dont miss this!

2. Marudhani****
Singers: Madhushree, A R Rahman, Henry
Lyrics  : Vaali
Probably a heroine solo melody, with soft beats and chorus. Pleasant interludes and Rahman’s hummings complete this soft but quick number. This is the only song which contains ARR’s voice in this album. Dynamic Vaali’s lyrics are spoiled by Madhushree’s poor Tamil accent. So a kind request to Madhushree:’Please find a good tamil teacher before commiting your next Tamil song’.

3. I Miss You Da*****

Singers: Chinmayi, Indai Haza
Lyrics  : Na Muthukumar
Another solo female song in which ARR has experimented with converting different ordinary sounds into one sweet melody. Appears to be a fusion of pop music and dubstep genre. Chinmayi’s versatile voice realises ARR’s dream. Also the song progresses with ‘Adhiradikkaran’ kind of beats now and then. The chorus and beats are avant-garde. May demand a lot of listening before you love it. Muthukumar’s lyrics are very ordinary and fails to impress. The feel produced by this song is similar to the effect produced by ‘Maja Maja'(SOK) and ‘Kettena'(Desam). A song for the world!

Singers: Benny Dayal, Chinmayi
Lyrics  : Pa Vijay
A Tamil version of the song ‘Chinnamma Chilakkamma’ from Rahman’s soundtrack for the Hindi movie Meenaxi(2004). Though a repetitive seranade from ARR, not disappointing. Benny sings very similar to Sukhwinder, the singer of the original Chinnamma. But Benny beats Sukhwinder with his proper Tamil pronounciation. We could hear Sukhwinder’s humming at the end point of this song!. Benny’s adaptable voice eeks out his best at the high pitch areas. Chinmayi in this song sounds very different from ‘I miss you da’. Both the singers have given their maximum effort in this song. Pa Vijay’s lyrics have perfectly fit this Andhra folk song. The song begins like an old Telugu song played in an old philips radio. Fantastic! One of ARR’s best folk numbers. The Andhra feel reminds us ‘Errani Kurrani'(Kadhalan) song. With the usage of folk instruments and a few western equipment Rahman has challenged the kuthu song world!


Singers: Krish ,Naresh Iyer
Lyrics  : Na Muthukumar
Seems to be the ‘soul’ song of this movie. Full of guitar sounds, violin pieces and quick beats. Though the music is of the Rock genre, the lyrics and violin gives us ‘at home’ feeling. A positive and pleasant song which bridges east and west. Though a number of instruments are used, nothing goes haywire. Wonderful orchestration and coordination by ARR. In this song Muthukumar gains what he lost in ‘I Miss you da’ song. The song ends by providing us a jazz feel. Krish and Naresh sing exactly with the feel of south Indian boys. At times this song reminds us ‘Roobaaroo'(Rang De Basanti). But the utilisation of other instruments makes this song different.

6.Naan Epodhu****
Singers: Reena Bharadwaj
Lyrics  : Pa Vijay
Another reiteration from Meenaxi. The Same singer is called back. A wonderful North Indian style song, with a lovely tune and guitar interludes. Beautiful addition of effects at right times. Right choice of voice. Totally an awesome song. But, this awesome song is stained by the awkward pronounciation(Pen or pin??!!) of the singer. This is the third female solo song of this album and the shortest one. Pa Vijay’s romantic lyrics along with excellent instrumentation doesn’t fail to create the intended swooning effect. A sweet song!


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